Blue Microphones Blueberry Cardioid Condenser Microphone

!±8±Blue Microphones Blueberry Cardioid Condenser Microphone

Brand : Blue Microphones
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Post Date : Dec 24, 2011 05:00:27
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The Blue Microphones Blueberry consists of a Class A discrete microphone amplifier perfectly matched to BLUE's single pattern, cardioid, hand built large diaphragm capsule. First and foremost, the Blueberry has been designed to provide the commanding, intimate presence associated with the world's best (and most expensive) vintage vocal microphones. With its shimmering, detailed highs, smooth midrange, and minimized proximity effect (a bass boost inherent in all unidirectional mics), the Blueberry excels at delivering a vocal right to the front of the mix where it belongs. When processed with limiting and/or compression, as is standard practice for most pop vocals, tracks recorded with the Blueberry will be free of pumping, low frequency thumps. Acoustic guitar, hand percussion, drums, and other critical high end sources also shine in front of the Blueberry, gaining an extra measure of presence that enables the most delicate sounds to cut through a mix, even at very low levels. Designed to fill the needs of the home musician and the professional alike, the Blueberry includes the Series Two Shockmount and comes handsomely packaged in its own cherrywood box. Whatever your music, add a Blueberry to the mix and let your ears feast on the sound. Review Guitar World (September 2003)Shocking Blues: Blue Microphones Dragonfly, Blueberry and Baby Bottle Capture the Heart of What's in Your Head With BLUE Microphones BLUE microphones are more than just a recording tool, they are an investment in value, quality, and expression. You will display them for their artistic beauty, covet and protect them for their investment value, and treasure them for conveying the heart and soul of any musical recording. BLUE stands for Baltic Latvian Univ

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Vintage Microphones

!±8± Vintage Microphones

Vintage microphones are used for the purpose of intensifying weak sounds, by transforming sound waves into the electrical pulses. The year 1878 marked the beginning of carbon microphones. Vintage microphones are developed in various models and with varied features. Berliner and Edison filed for patents on carbon microphone. In the year 1910, E.Wente developed condenser microphones at Bell labs. By the mid 1920's, developments in condenser microphones made it possible to record films. The omni directional dynamic microphone was developed by Wente and Thuras in the late 1920's. Omni directional dynamic mikes were invented in the late 1930's. From then on, there have been several advancements in microphones. The equipments that were heavy and bulky have become lightweight and handy now.

Vintage microphones are one of the collections of microphones that were used in the olden days. Vintage microphones may be listed in chronological order based on the models: carbon microphones which came into being in 1878; the 394 condenser microphone introduced by Western Electric; the 4AA condenser mic introduced by Radio Corporation of America (RCA); the 618A introduced by Western Electric; the 630A developed again by Western Electric; the cardiod microphones developed by Siemens; the tubular microphone designed by Bell labs; the 44A, B, and BX velocity ribbon microphones developed by Harry F. Olson at RCA; the 77A , B, C, D, and DX unidirectional ribbon series; the 639A and 639B introduced by Western Electric. These systems are the various vintage microphones.

These vintage microphones are in high demand and therefore are very costly. People who could not afford it went in for the microphones bearing assorted brand names that surfaced in the American market. They were RCA type 77 models but with different crystal elements. Prices for these microphones are usually ranged around to .

Microphone parts and accessories are also available for collection purposes. Some companies specialize in reproduction of these rare accessories. Like other areas there are spurious manufactures in the field of vintage microphones too. One must be choosy while buying vintage microphones from markets.

Vintage Microphones

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Opening-day Artist Talk: Guillermo Kuitca

!±8± Opening-day Artist Talk: Guillermo Kuitca

Painting is considered Kuitca's primary medium, yet the work on view in this exhibition includes steadfast engagements with drawing, theater, sculpture, and architecture. Join the artist for an illustrated conversation on working in between traditional artistic expressions, with Walker director Olga Viso, the show's coordinating curator, and Douglas Dreishpoon, exhibition curator and senior curator at the Albright-Knox Art Gallery.

Opening-day Artist Talk: Guillermo Kuitca

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